"Nowadays an art student can examine color reproductions of most of the world's great paintings, can make acquaintance with a host of second-rank pictures, archaic arts, Indian, Chinese and Pre-Columbian sculpture of the best periods, Romanesque frescoes, Negro and 'folk' art, a fair quantity of Byzantine art. How many statues could be seen in reproduction in 1850? Whereas the modern art-book has been preeminently successful with sculpture (which lends itself better than pictures to reproduction in black-and-white). Hitherto the connoisseur duly visited the Louvre and some subsidiary galleries, and memorized what he saw, as best he could. We, however, have far more great works available to refresh our memories than those which even the greatest of museums could bring together. For a 'Museum without Walls' is coming into being, and (now that the plastic arts have invented their own printing-press) it will carry infinitely farther that revelation of the world of art, limited perforce, which the 'real' museums offer us within their walls."
André Malraux: The Voices of Silence:
Man and his Art
Doubleday & Co., Inc., Garden City, NY - 1953
traduzione dal francese di Stuart Gilbert
catalogazione: una delle librerie di Susan